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" Of the mark that a body leaves in the air
and the unchanging rock that soars into the sky

Sculpting the air as the sound sculptures silence
suspends time and opens up to the unspeakable "

throughout his peregrination, pierre fourré was nourished by french poetics and italian rigor. sincere and demanding composer, he seeks in the dance of the substance and in the memory of the melody, what silence has to tell us.

after practicing classical, jazz, mandingo and afro-cuban percussion, and then a period at the conservatoire national supérieur de musique et de danse de paris, where he mainly studied instrumental and electroacoustic composition, as well as analysis, orchestration, music history, medieval counterpoint and conducting, he asserts his quest for a music at the frontier of worlds, nourished by his experiences in the spheres of jazz, hip-hop and fusion

with a keen interest in exchanging with musicians of his generation, he has worked with many of them, such as Clara Baget on "Reflet d'ombre", Noé Nillni on "Là où les murs s'effondrent", Ninon Hannecart-Ségal and Charles Heisser on "D'un visage de terre", Kyrian Freidenberg on "Sous le miroir de lumière", with Ayaka Matsuda also on "Jeu d'été", and Tristan Pereira on"Fureur du chariot céleste"
he has also been performed by the ensemble interContemporain and the ensemble Aleph

he received a prize from the Sacem for his piece "Reflet d'ombre", as well as support from the Tarrazi fund, the Carasso fund, the Société Générale patronage, and the Jabès legacy during his studies.