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" Of the mark that a body leaves in the air
and the unchanging rock that soars into the sky

Sculpting the air as the sound sculptures silence
suspends time and opens up to the unspeakable "

throughout his peregrination, pierre fourré was nourished by french poetics and italian rigor. sincere and demanding composer, he seeks in the poetics of the body and in the outpouring of voice, what silence has to tell us.

after practicing classical, jazz, mandingo and afro-cuban percussion, and then a period at the conservatoire national supérieur de musique et de danse de paris, where he mainly studied instrumental and electroacoustic composition, as well as analysis, orchestration, music history, medieval counterpoint and conducting, he asserts his quest for a music at the frontier of worlds, nourished by his experiences in the spheres of jazz, hip-hop and fusion, as well as by his encounters with indian, balinese, african and aboriginal music.

founder and artistic director of la trace du silence, he seeks through this association to propose concerts mixing eras and aesthetics, in order to highlight the intimate and sometimes unexpected links between the works, while sharing an in-depth work on the pages proposed to the public. 

with a keen interest in exchanging with musicians of his generation, he associates himself with many of his personalities, in particular Clara Baget, Noé Nillni or Ninon Hannecart-Ségal, in order to share with them the deepest and most radical commitment and investment possible.
he has also been performed by the ensemble interContemporain and the ensemble Aleph.

he received a prize from the Sacem for his piece "Reflet d'ombre", as well as support from the Tarrazi fund, the Carasso fund, the Société Générale patronage, and the Jabès legacy during his studies.